Showing posts with label Clarinda. Show all posts
Showing posts with label Clarinda. Show all posts

Saturday, March 27, 2010

You just never know...


 


On March 20, 2010 I was speaking about my quilts
 to a group of women who were visiting Clarinda 
for the National Minneapolis-Moline Collectors Convention. 
In addition to sharing stories about more than thirty other quilts, 
I also chose to set up my 96" x 124" quilt named
 "Holocaust: A Hate Movement" 
in the main area of the Nodaway Valley Historical Museum.
 Since men and women were expected at the Museum that day, 
I thought its message could reach a large group. 
As it turned out, we did have 102 visitors that Saturday.

I shared the messages which are built into the quilt
 through blocks, fabrics, text, dimension, texture and quilting. 
Seventy blocks, chosen for their names 
from The Encyclopedia of Pieced Quilt Patterns compiled by Barbara Brachman,
tell the story of the Holocaust in chronological order. 

The Nazi swastika block was drafted from a photograph. 
Bright colored prints first released in the 1920's and 1930's 
are featured in the beginning of the quilt. 
At the time when life became precarious, 
only solid-colored fabrics were used. 
The chosen colors were black (hate), red (death), orange (fear), 
brown (Nazi uniforms), dark blue (U.S., British and French flag color) 
and light blue (Israeli flag color). 
The four gray border fabrics represent everyday "normal life" (left), 
ashes blowing in the wind (top), 
ashes in the furnaces (bottom) 
and tendrils of hope growing from the ashes (right).

Blocks pieced with their seam allowances 
on the surface (instead of inside) 
reverse the meaning of the original block name. 
For example, the reversed block "Peace and Plenty" 
depicts the lack of peace and plenty at that time. 
Text such as "Where is God" and "Men to the left, Women to the right" 
documents both memories and agonizing concerns. 
Overall hand quilting in three-inch intervals 
represents the barbed wire fences 
surrounding the extermination and work camps.

In 1991 I was inspired by God 
to make this quilt after visiting Yad Vashem
The Holocaust Martyrs' and Heroes' Remembrance Authority 
near Jerusalem, Israel. 
Yad Vashem was founded in 1953 by the State of Israel 
to recognize those killed and harmed during the Holocaust 
and to acknowledge those who worked to rescue the survivors.

The software programs Electric Quilt and Blockbase 
were used to design the quilt layout and print templates 
for cutting out the pieces of the blocks. 

The names of the 77 quilt blocks 
are listed in alphabetical order as follows:

American Homes
At the Depot
At the Square
Attic Window
A Victory Quilt
Boxcar Patch
Broken Windows
Brown World
Children Israel
Church Steps
Churchill
Day and Night
Danger Signal
Depression
Father's Choice
Follow the Leader
Ghost Walk
Hide & Seek
Home Again
Hour Glass
Lost Children
Memory Block (seven - each containing one of the texts below)
..."Men to the left, women to the right"
..."Work will make you free"
..."Break the body, break the spirit, break the heart"
..."Where is God"
..."Whatsoever you do to the least of these my brethren, you do unto me"
..."I was only following orders"
..."Never again"
Next Door Neighbor
Nothing Wasted
Our Country
Path Thru the Woods
Peace and Plenty (backwards)
Peaceful Hours (backwards)
President Roosevelt
Prosperity (backwards)
Railroad Crossing
Road to Paris
Rob Peter to Pay Paul
Salute to Loyalty
Secret Drawer
Star of David
Swastika
Target
The Stockade
Trial and Troubles
Underground Railroad
Victory

I am drawn to tell stories about my quilts. 
This one has been the most difficult so far. 
In addition I have found that remembering history
opens my eyes to the current lack of justice and peace
in so many areas of our world.

 Keep your eyes open. 
Be courageous and speak up. 
You just never know when you might make a difference. 

Do you know of a venue which would welcome 
a short term display of this eye-opening quilt with a serious message?

Peace,
Carlene

Saturday, February 6, 2010

A tisket, a tasket, white with blue basket







Here is a photo of a lovely full sized Depression era basket quilt which I took at the quilt show at the Shenandoah Historical Museum in September, 2009. I drafted a queen/king on Electric Quilt 6 and added a inner border to float the blocks more. In addition I changed the setting from alternate white blocks to white sashing. I have to make more blocks, but I chose that method.





Then I flipped the basket colors and actually like the white baskets on blue, too. I am a sucker for two color quilts. How about you?

Then I got to thinking...why didn't I like the plain alternate blocks? So I reworked the quilt a bit more and here it is in white with blue baskets and then blue with white baskets. Leave a comment if you have a preference.






I love to give my opinion. Don't you?






There's snow on the pink mountains


I've been working at quilting again. This is my pink and white delectable mountains quilt. Five borders are added onto the center block. As you can see, I am up to number three so far.

I am using the Eleanor Burns book and template. It was been going very smoothly.

After a green spell, I am currently on a pink focus. The next quilt is a trip around the world...or at least that is my current thought.







Last September I went to a quilt lecture by Star Anne McIntire Kloberdanz at the Historical Museum in Shenandoah, Iowa. There was a lovely exhibit of Depression era quilts which prompted me to take many pictures.




I have been using them as inspiration for new quilts to design and make. Here is their dark blue and white quilt that is inspiring me to use my indigo blue and white fabrics and their "Squirrel in a Cage" block to make my version of this quilt shown below in an Electric Quilt 6 drawing.




I have been very lax on blogging. Perhaps I will turn over a new leaf and use my blog to prompt myself to do more quilt re-designing.
I hope you are finding inspiration to create quilts or other arts that make your heart sing.
Carlene